History of Rap and Hip Hop Music

The origin of hip-hop will be traced back as far as the traditional tribes in Africa. Rap has been compared with the chants, drumbeats and foot-stomping African tribes performed before wars, the births of infants, and the deaths of kings and elders. Historians have reached further back than the accepted origins of hip-hop. It was born as we know it at present within the Bronx, cradled and nurtured by the youth in the low-income areas of New York City.

Quick-forward from the tribes of Africa to the ghettos of Kingston, Jamaica in the late sixties. The impoverished of Kingston gathered collectively in teams to type DJ conglomerates. They spun roots and tradition records and communicated with the audience over the music. On the time, the DJ’s feedback weren’t as important because the quality of the sound system and its ability to get the crowd moving. Kool Herc grew up in this community before he moved to the Bronx.

During the late sixties, reggae wasn’t widespread with New Yorkers. As a DJ, Kool Herc spun rhythm and blues records to please his party crowd. But, he had to add his personal touch. During the breaks, Herc started to speak to his audience as he had discovered to do in Jamaica. He called out, the viewers responded, and then he pumped the quantity back up on the record. This call and response technique was nothing new to this community who’d been reared in Baptist and Methodist church buildings where call and response was a method used by the speakers to get the congregation involved. Historians examine it to the call and response carried out by Jazz musicians and was very much a part of the tradition of Jazz music in the course of the renaissance in Harlem.

Herc’s DJ style caught on. His party’s grew in commonity. He started to buy a number of copies of the same albums. When he performed his duties as a DJ, he extended the breaks through the use of a number of copies of the same records. He chatted, as it is called in dance corridor, with his audience for longer and longer periods.

Others copied Herc’s style. Quickly a pleasant battle ensued between New York DJs. All of them learned the technique of using break beats. Herc stepped up the game by giving shout-outs to individuals who have been in attendance at the parties and arising with his signature call and response. Other DJs responded by rhyming with their words once they spoke to the audience. More and more DJs used and four line rhymes and anecdotes to get their audiences involved and hyped at these parties.

Sooner or later, Herc passed the microphone over to 2 of his friends. He took care of the flip table and allowed his buddies to keep the gang hyped with chants, rhymes and anecdotes while he extended the breaks of different songs indefinitely. This was the delivery of rap as we know it.

Hip-hop has developed from the days of the basement showdowns to big enterprise in the music industry. Within the seventies and eighties, the pioneers and innovators of the rap record was the DJ. He was the man who used his turntable to create recent sounds with old records. Then, he turned the guy who mixed these familiar breaks with synthesizers to produce completely new beats. Not a lot has changed in that side of hip-hop. The man who creates the beat is still the heart of the track. Now, we call him the producer. Though some DJs work as producers as well as DJs (quite a few start out as DJs earlier than they become producers), at the moment’s title “DJ” does not carry the same connotative that means it did in the eighties. Right now’s hip-hop producer performs the same tasks because the eighty’s DJ.

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