History of Rap and Hip Hop Music

The origin of hip-hop can be traced back so far as the traditional tribes in Africa. Rap has been compared with the chants, drumbeats and foot-stomping African tribes performed before wars, the births of infants, and the deaths of kings and elders. Historians have reached further back than the accepted origins of hip-hop. It was born as we know it at this time in the Bronx, cradled and nurtured by the youth within the low-income areas of New York City.

Fast-forward from the tribes of Africa to the ghettos of Kingston, Jamaica within the late sixties. The impoverished of Kingston gathered together in groups to kind DJ conglomerates. They spun roots and tradition records and communicated with the viewers over the music. On the time, the DJ’s comments weren’t as essential because the quality of the sound system and its ability to get the gang moving. Kool Herc grew up in this community earlier than he moved to the Bronx.

During the late sixties, reggae wasn’t fashionable with New Yorkers. As a DJ, Kool Herc spun rhythm and blues records to please his party crowd. But, he had to add his personal touch. Throughout the breaks, Herc started to speak to his viewers as he had realized to do in Jamaica. He called out, the audience responded, and then he pumped the quantity back up on the record. This call and response approach was nothing new to this community who’d been reared in Baptist and Methodist churches where call and response was a technique used by the speakers to get the congregation involved. Historians compare it to the call and response carried out by Jazz musicians and was very much a part of the culture of Jazz music during the renaissance in Harlem.

Herc’s DJ model caught on. His party’s grew in widespreadity. He began to purchase a number of copies of the identical albums. When he carried out his duties as a DJ, he prolonged the breaks by utilizing multiple copies of the same records. He chatted, as it is called in dance corridor, with his viewers for longer and longer periods.

Others copied Herc’s style. Soon a friendly battle ensued between New York DJs. They all realized the technique of using break beats. Herc stepped up the game by giving shout-outs to people who had been in attendance at the parties and coming up with his signature call and response. Other DJs responded by rhyming with their words after they spoke to the audience. More and more DJs used and four line rhymes and anecdotes to get their audiences concerned and hyped at these parties.

Someday, Herc passed the microphone over to two of his friends. He took care of the flip table and allowed his buddies to keep the group hyped with chants, rhymes and anecdotes while he extended the breaks of various songs indefinitely. This was the delivery of rap as we know it.

Hip-hop has evolved from the days of the basement showdowns to big enterprise within the music industry. Within the seventies and eighties, the pioneers and innovators of the rap report was the DJ. He was the man who used his turntable to create contemporary sounds with old records. Then, he became the guy who blended these familiar breaks with synthesizers to produce utterly new beats. Not a lot has modified in that facet of hip-hop. The guy who creates the beat is still the heart of the track. Now, we call him the producer. Though some DJs work as producers as well as DJs (quite a few start out as DJs before they turn out to be producers), in the present day’s title “DJ” doesn’t carry the same connotative which means it did within the eighties. In the present day’s hip-hop producer performs the same tasks as the eighty’s DJ.

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